Jill Clayburgh: Memories V: 1981-1983

jill had three more major releases that showcased her star quality if not her declining box office success between 1981 and 1983.

1981 gave us 'first monday in october'. based on the broadway play jill played the first woman appointed as a supreme court justice. jill was perfect for the role as the intelligent, independent woman that she embodied. the plotline after her selection to the court declined into a silly unrealistic 'mystery'. jill was as good as ever but caught in an underwhelming and inferior script.

1982 gave us 'i'm dancing as fast as i can'. it was a 'rushed' job as another hollywood strike was looming. jill later said she believed this real life drama about valium withdrawal may have been served better as a tv film. perhaps she was correct. it bombed at the box office and left even me wishing her talent had not been wasted on it. 

1983's 'hannah k' more or less put the proverbial nail in jill's star power and film career. she wanted to work with costa-kravas and considering he was the director and she was the star this should have been a hit. so what went wrong? it's politics went wrong. jill portrayed an attorney in this pro palestinian drama. it was a good film but theater owners refused to show it. so much for free speech. i'll say this as a jew...should we not be able to see two sides of the story? guess not! 

if you can find it see it. it's better than we'd be led to believe.

jill's era came to an end in 1983. she would go on to star and costar in films and tv movies until her untimely death. she concentrated more on motherhood thru the 80's and 90's. she returned to the stage where her talent was better utilized and appreciated.

i truly believe had she lived the screen would have seen her 'rise' again much like julie christie has after her 'icon' period ended. like julie she would have returned in good and meaty roles later in life and would have been a welcome relief from 'the flavor of the year' actresses. we'll never really know but i know that i am correct.

rest in peace friend jill. you are sorely missed but have left a nice body of work for us to revisit. thank you for your talent, your grace and your beauty.

Jill Clayburgh: Memories III

after 'an unmarried woman' there were four films that kept jill in the spotlight but her dominance in film as the iconic 70's woman was about to end. jill made some strange choices during this period. but she wanted to work with great directors like bertolucci and costa- kravas. these turned out to be great personal choices but bad career moves. remember in hollywood actors, particularly women, are only as good as their last film or should i say the gross income of their last film. the following did not make money. jill's star power was fading. i always considered this a great loss for film.

first there was 'luna' prior to 'starting over'. jill wanted to work with bernardo bertolucci and she did in this film. the topic bordered on the strange often bizarre and bordered on the incestuous. it was rough to watch for many. jill was amazing in it. the audience was not ready for it. yet it is a good film and deserves a shot. if you are squeamish by-pass it. otherwise take a risk and decide for yourself.

the opening scene of 'luna'. the cameraman on this filmed loved jill. it is so apparent. she has never looked so beautiful on screen.

to be continued

Loving Jill

 

my tribute to jill.

the songs are from the musical 'pippin'. jill does the vocals with john rubenstein on the duet.

Jill Clayburgh: Memories II

1979's 'starting over' gave jill her second and final oscar nom. there was no chance at all as sally field was the deserved front runner and winner for 'norma rae'. i've often wondered what jill was thinking when sally's name was announced as jill had turned down the role as did jane fonda who was also nominated for 'the china syndrome'.

it was a cute movie but a minor follow-up to 'an unmarried woman'. actually candice bergman stole the film in a supporting nominated role. candice lost to meryl streep in 'kramer vs kramer' but i digress.

one of the rare moments in 'starting over' that allowed jill to shine

1980 brought 'it's my turn'. i love this breezy romantic comedy that teamed jill with michael douglas. charles grodin costarred. it's a charmer. my only question is: why the hell has this not been released on dvd? luckily itunes has it available for download.

spoiler alert: the following are the beginning and the end.

the beginning

the end

that's a wrap

(to be continued)

Jill Clayburgh: Memories

for me it all began with the musical 'pippin'. jill played catherine. she had three songs. at that moment she had me forever. jill had two solos and one duet with john rubenstein portraying pippin. these songs will appear in my 'loving jill' video over the weekend and on my ipod forever.

the tv film 'hustling', 'gable and lombard' and 'silver streak'  came next. but more on them later except to say that as carole lombard in the aforementioned 'gable and lombard' my love affair truly began.
 
and then in 1978....

the deal was cemented with her first major role as erica in 'an unmarried woman'. jill became the toast of the cannes film festival after it's premiere. she won best actress at that festival. the oscar money was on jill to win best actress in 1978. the oscar, heaven help us, went unwisely to jane fonda in the mediocre 'coming home'. another oscar crime.

i believe jill was too 'new york' for the mostly hollywood voter. it was this prejudice that cost her the oscar win. they just did not get jill or her character erica benton with their upper west side sensibilities.

about four minutes into the following scene you will see why she was at least oscar nominated. yes and why she should have won.

the following scene early in the film shows the dreams of the married woman. it's a charming and delightful scene that we have all imagined in some way or another. then dreams are shattered for awhile as she becomes an unmarried woman. erica benton as her portrayer would not let the bad permanently halt the future.

'an unmarried woman' began a string of roles for jill that showed smart,capable, independent women with a touch of the neurotic. hell that means she portrayed a real person. we all have our own nuerosis though try and hide them we might.


meet erica benton

to be continued

Song of the Day: 'If You Could Read My Mind''

written and originally recorded by gordon lightfoot was a damn near oerfect song

but streisand put a twist on it and sang it from the woman's perspective. she did a damn good job. but the best was yet to come.

and the best came when viola wells created the monster dance version that is in constant replay in the collective ears of a generation

Song of the Day: 'Total Eclipse of the Heart''

'total eclipse of the heart' or 'turn around' as it is often referred to was one of those instant classics and deservedly so.......

originally recorded by bonnie tyler became that instant classic. bonnie reminded me of rod stewart with the gravelly sounding voice that worked oerfectly with this song.

live at the 1984 grammy awards

thinking kim would have the last word with this musical piece would have been a mistake. nikki french took ot to greater hights with her 'dance' version. the song would reach the realm of musical masterpiece.

nikki's extended mix

nicki live

another nikki remix

the cast of 'glee' gave it a rousing spin too

Song of the Day: 'The Lion Sleeps Tonight'

'the lion sleeps tonight' was recorded by the nylons a black group in the 50's. but as happened a lot at that time it was the cover by a white group. the tokens, that got the radio airplay and became the standard.

the nylons

the tokens

i've always been a sucker for dance remixes so here you go

even nsync gave it shot

Song of the Day: 'You Can't Hurry Love'

'you can't hurry love' is a classic. a motown classic that has expanded well beyond it's origins. it's always been a favorite of mine and seems to constantly roll around in that music depot in my brain. i just love this song in all it's incarnations enjoy.

phil collins with 'you can't hurry love'

combined with 'two hearts'

and from 'runaway bride' and the dixie chicks

and alison krauss live

and of course the supreme original*

*i believe phil collins holds the best of 'you can't hurry love' title