'Burton and Taylor' on BBC America Oct.16

i presume this may already be airing in the uk. thank the gods for bbc america. this summer they gave us the brilliant mystery 'broadchurch'. and this past winter and winter next the terrific 'orphan blaack. these are but two of many shows they have shipped across the pond.

now we have this taylor-burton film that can hopefully eradicate the lindsay lohan debacle this past year.

watching this clip i'd say helena bonham carter's taylor might be a great companion for ms taylor's martha in 'who's afraid of 'virginia wolff'.

'Les Miserables' ***1/2

'les miz' is brilliant. the show that is. the tom hooper directed film is somewhat short of brilliant. but that is good. all of us 'les miz' fans have seen the film in our minds over the past 25 years. some of our thoughts and hopes may have been realized with this version. quite a few of mine were. well almost were. but i did not conceive it...mr hooper did and he is to be congratulated. he remained faithful to the original adding snippets here and there to tie together formally loose ends to make a more complete scenario. also a good move.

i cannot quibble with the production values. it is generally amazing to look at and listen to. generally.  for instance: there was just a bit, no maybe too much, excrement in the sewer scene. sometimes less is more. but this is a minor quibble. and vocally the idea to record live on set is quite remarkable with the exception of russell crowe.

the story of jean valjean (hugh jackman) begins with his release from prison, owning a factory encountering his former prison guard javert (russel crowe), encountering the down and out fantine (anne hathaway) and taking responsibility for her daughter cosette. but it all really picks up after the death of fantine when the story moves to paris and we meet the young revolutionaries led by enjoiras, (arron tveit) and his band of student rebels and his best friend marius (eddie redmayne), his friend eponine (samantha barks)  and the now grown cosette (amanda seyfried).

what we now have is an action filled revolt and true romance and the remnants of unrequited love and friends forever gone. and death. not your typical musical but still a bit above most all the others filmed.

the musical highlights are 'the red and black', 'in my life/a heart full of love, 'one day more', 'on my own', 'bring him home' and 'empty chairs at empty tables'. anne hathaways 'i dreamed a dream' is certainly her jennifer hudson moment. it and ms hathaway are wonderful but it is sung for the academy. it is her supporting actress oscar nomination and probable win. if there were justice that nom would go to samantha barks as eponine. i have never been kind to ms hathaway but will give her due credit here. she would just not get an oscar vote from me.

hugh jackman is terrific as jean valjean. eddie redmayne as marius is extraordinary. his 'empty chairs at empty tables is brilliant and a highlight. aaron tveit is a fitting and worthy enjoiras. samantha barks is the quitessential eponine and her 'on my own' is brilliant. amanda seyfried with an almost angelic voice is adorably convincing as the lovely cosset. sasha baron cohen and helena bonham carter add the necessary comic relief as the innkeeper thenardier's. and now we get to the weak link: russell crowe who's right for the part but not the singing. his voice is ear piercing. when he starts singing it just pulls you right out of the film. sadly. and admittedly it lost 1/2 a star because of him. 

all in all see it. it is a grand endeavor that succeeds. and samantha, eddie, aaron and amanda along with hugh amaze.

Sneak Preview: 'Dark Shadows' May 11

Oscarbation: A Look Back at 1997 for Best Actress

1997 was a good year for this category. it was loaded with talent that delivered amazing performances. rating them 1 to 5 was quite difficult for me to do. thEy all deserved to go home with the gold. but rank them i will. here goes ....

#5

helena bonham carter was wondrous to behold in 'wings of the dove'. she left an indelible mark as a lead actress in this film. again the oscar could have been hers with no argument from me

#4

helen hunt's performance in 'as good as it gets' was as good as it could/would get. she gave a wonderful, heartwarming performance. helen won the oscar on the coat tails of the best picture and best actor wins. yet as with the other nominees in this category in '97 her win can be justified. but her on and off 'new york' accent was a tad annoying. a best actress should be able to sustain it.

#3

kate winslet in 'titanic' was wonderful. kate's chemistry with leonardo decaprio was heaven sent. there was not a moment you think 'hey these two don't belong together'. they so belonged together that separating her performance from his is an almost impossible situation. his snub is one of oscar's embarrassments. kate will go on to win her oscar four noms later.

#2

judi dench in mrs. brown was simply wonderful. it remains one of the best screen performances of all time. a stage actress who fit(s) quite well on film. she was amazing as queen victoria in her 'private' life. i repeat the oscar could have been her's with no argument.

#1

let's begin with the premise that julie christie plays a 'b actress' in 'afterglow'. that alone is a major fete as she was/is one of the best 'A' actresses in film. the critics associations hailed her performance in 1997. her fans were rightfully rejoicing. she would not get the oscar come award night but her fans were the true winners because the mostly reclusive actresses of her time returned to the screen. had i been able to vote, ms. christie amongst all the aforementioned wonderful performances would have gotten my vote after alot of nail biting.

sublime

The King's Speech' ****stars

a story of friendship and trust. two men from two different classes come together and damn what a bond is formed. the evolving friendship is told and directed so well by tom hooper that we are just swept along through it's ups and downs and we are never let down.

colin firth is brilliant as the stammering king george vi his king is brilliantly supported by geoffrey rush as the non royal friend and teacher lionel logue. the bond they form is at first trying but grows for the lifetime of both men in real life. a wonderful helena bonham carter returns to a 'quieter' role as the king's wife later to be known as the queen mum when daughter elizabeth becomes queen. jennifer ehle radiates as the wife of logue.

the rest of the supporting cast truly support with wonderful performances each. no one misses a beat.

colin firth deserves the oscar this year as he did last year ('a single man") and perhaps this year the academy will hand it to him. he is quite amazing and has grown so much over the past few years. well the reality is it's the parts he's getting. they are better and he makes them better still.

i see a definite oscar nom for rush and quite possibly another for bonham carter. picture, director and screenplay are a lock.

go see 'the king's speech' as it may well win the oscar for best picture. my vote is heading in it's direction fast and furiously.